Compare 2 films Essay Example | Topics and Well Written Essays - 1000 words

Think about 2 movies - Essay Example An investigation of a few scenes will delineate these focuses. Ozu’s â€Å"Tokyo Story† tells the excursion of an older couple to the city of Tokyo where they rejoin with their kids and grandkids. Their youngsters, be that as it may, don’t have the opportunity to go through with them. A couple of days after the fact, the old couple returns home. The mother becomes sick and in the end kicks the bucket. After the memorial service, the youngsters come back to Tokyo disregarding their dad. Kurosawa’s â€Å"Rashomon†, then, describes the narratives of four distinct people about a homicide that happened in the forested areas. A spouse is purportedly assaulted by a scoundrel while her better half is killed. In a weather beaten house that bears the name â€Å"Rashomon†, a cleric and a woodcutter transfer the story to a normal person. Each of the four stories commonly negate each other. At long last, a deserted child is found at the decrepit house. 2. Topics Ozu investigates the outcomes of generational hole in families. Youngsters, when developed, will live their own lives and abandon their folks. Guardians, then again, will wish that their youngsters make progress and live upbeat lives. As time cruises by, guardians and kids become genuinely separated. The once warm and caring connections become cold and careless. Neither guardians nor kids are to be accused in this circumstance; it’s simply the status quo. ... Kurosawa, in the mean time, investigates the abstract idea of the real world and the human propensity to adorn one’s positive attributes and cover those that are ugly. Reality, as the film depicts, involves understanding. One occasion can be seen and taken a gander at from alternate points of view making a heap of implications out of it. A definitive and unadulterated truth of something, in this way, can never be figured it out. This applies to individuals too. Individuals decide to accept what they please. Their observation is constantly impacted by thought processes both great and terrible. 3. Complex Analysis Mise-en-scene. This alludes to the creation of a scene which incorporate the setting, lighting, outfits, and actor’s motions, to give some examples. Ozu’s mise-en-scene is developed with most extreme control and loaded up with telling subtleties. The tea kettles, cups, or shoes are all there which is as it should be. Every recount to its very own account (eg. shoes lying at the older couple’s entryway at the spa). In â€Å"Rashomon†, the mise-en-scene gives accentuation on nature. More often than not, the on-screen characters are shot underneath the shadows of trees and leaves uncovering both their great and awful nature. The occasionally crazy and bestial acting of the spouse and crook show how firmly they held to their view of the occasion. It appears they’re making a decent attempt to disguise their terrible nature. Cinematography. This alludes to the separation and development of the camera, and the confining and span of shots. Ozu regularly uses long and medium shots which show whole scenes, on-screen characters in full body or midriff up, and the space/foundation where the on-screen characters move around. Close-ups which stress facial highlights and feelings are rarely utilized. The camera moves just a single time